MUSICA DE COLECCION LP-45RPM
MUSICA DE COLECCION- LP VINILOS-
COLECCIONABLES-ANTIGUEDADES
LP MUSICA DE COLECCION-
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ARTE
Info en : Anticuario.El.Atico@gmail.com,
Medellin
ARTICULO DE COLECCION
100% ORIGINALES
UNITED ARTISTS RECORDS
STEREO
11798
BUEN ESTADO
LADO A
1-THE GAMBLER
2-LADY
3-DON{T FALL IN LOVE WITH A DREAMER
4-RUBY DON{T TAKE YOUR LOVE TO TOWN
5-SHE BELIEVES IN ME
6-COWARD OF THE COUNTRY.
LADO B
1-LUCILLE
2-YOU DECORATED MY LIFE
3-REUBEN JAMES
4-LOVE THE WORLD AWAY
5-EVERY TIME TOW FOOLS COLLIDE
6-LONG ARM OF THE LAW
PRECIO $ 20.000
SUPER REMATE "EL ATICO"-VENTA- MERCANCIAS-USADAS -" TODA CLASE DE ANTIGUEDADES--BILLETES-MONEDAS-COLECCIONABLES. LIBROS ANTIGUOS-
Vinyl-LP-Hit Xxplosión-Die absoluten Super Hits-TG 1371 - 1982 Germany
stereo k-tel
side a
THE LAND OF MAKE BELIVE
CAMBODIA
UNA NOTTE SPECIALE
EISBAR
WHO HAVE NOTHING
I NEED YOU
CHEERIO
VIVA TORERO
FLASH IN THE NIGHT
SIDE B
HALE,HEY LOUISE
MY BONNIE
LITTLE LADY
TO BE SUPERMAN
ANGEL FROM PARADISE
LITTLE TOWN FLIRT
HELP,GET ME SOME HELP
M INNAMORO DI TE
REALITY
Lp en buen estado
PRECIO $ 40.000
L FOTO CORRESPONDE AL LP
MUY BUEN ESTADO
PRECIO $ 20.000
SUPER REMATE "EL ATICO"-VENTA- MERCANCIAS-USADAS -" TODA CLASE DE ANTIGUEDADES--BILLETES-MONEDAS-COLECCIONABLES. LIBROS ANTIGUOS-
LP MOCEDADES LA OTRA ESPANA
DISCOS ORBE
LP BUEN ESTADO
LA FOTO CORRESPONDE AL LP
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LP CBS 142060
JOSE LUIS PERLES
SUENO DE LIBERTAD
BUEN ESTADO DISCO Y CARATURLA
LA FOTO CORRESPONDE AL LP
PRECIO $ 25.000
FLETES $ 10.000
LP SUPER EXITOS DE EDDI SANTIEGO
DISCOS RODVEN
LA FOTO CORRESPONDE AL LP.
LADO A
ME FALLASTE
TU ME HACES FALTA
MIA
LLUVIA
NADIE MEJOR QUE TU
LADO B
MANANA
QUE LOCRUA ENAMONARME DE TI
TODO EMPEZO
HAGASMOSLO
TU ME QUERIAS
CARTATULA Y LP EN BUENAS CONDICIONES
LA FOTO CORRESPONDE A LP
PRECIO $ 25.000
FLETES LP $ 10.000
LADA 1
LA CASA EN EL AIRE
EL PLAYONERO
EL GENERAL DANGOND
EL HAMBRE DE LICEO
LA MAYE
EL PIRATA DE LOPERENA
LADO 2
LA HISTORIA
PARAGUACHON
LA VIEJA SRA
MALA SUERTE
EL CHEVROLITO
LA DESPEDIDA
LA BRSILERA
CARTAULA BUENA-LP BUEN ESTADO
LA FOTO CORRESPONDE AL LP.
PRECIO $ 25.000
FLETES LP $ 10.000
LP HERMANOS
CANTARE,CANTARAS
I WILL SING, YOU WILL SING
VARIOS AUTORES
CDBS 20 ANOS 4421290
BUEN ESTADO
LA FOTO CORRESPONDE AL LP
PRECIO $ 20.000
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VINILO 45 RPM
STEVE WONDER -1984
SIDE 1
I JUST CALLED TO SAY I LOVE YOU
SIDE 2
I JUST CALLED TO SAY I LOVE YOU
MOTOWN-GEMA
USA 1984
BUEN ESTADO
PRECIO $ 30.000
FLETES $ 8.000
VINILO 45 RPM
BILLY JOEL
SIDE 1
WE DIDINT START THE FIRE
SIDE 2
HOUSE OF BLUE LIGHT
VINILO CBS 1989 USA
PRECIO $ 30.000
FLETES $ 8.000
VINILO 45RPM
PAUL SIMON
YOU CAN CALL ME AL
GUMBOOTS
WARNER RECORDS 1986 USA
BUEN ESTADO
PRECIO $ 30.000
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VINILO 45RPM
LAMBADA CBS 1989
KAOMA
SIDE A LAMBADA
BUEN ESTADO
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SIDEB LAMABADA
VINILO 45RPM
NIK HERSHAW
SIDE ONE
THE RIDDLE
SIDE TWO
PROGRESS
MCA RECORDS USA 1984
BUEN ESTADO
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VINILO 45RPM
PHIL COLLINS
A-ANOTHER DAY IN PARADISE
B-HEAT ON THE STREET
ATNTIC RECORDS 1989 USA
PRECIO $ 30.000
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VINILO 45 RPM
BLACK BOX
A-RIDE ON TIME
MADE IN GERMANY 1989
XYX RECORDS
BUEN ESTADO
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VINILO 45RPM
USA FOR AFRICA
UNITED SUPPORT ARTIST FOR AFRICA
QUINCY JONES- GRACE 1984
USA FOR AFRICA-WE ARE THE WORLD
CBS A 6112
1989
MADE IN GERMANY
BUEN ESTADO
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VINILO 45RPM
PRINCE
200 BALLONS
BATDANCE WB RECORDS 1989 USA
BUEN ESTADO
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VINILO 45RPM
BANGLES
1- ETERNAL FLAME
2-WHAT I MEANT TO SAY
CBS 1989 USA
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VINO 45RPM
BCM RECORDS
PUMP UP THE JAM
THECHNOTRONIC FEATURING FELLY
PRINTED IN GERMANY
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VINILO 45RPM
COLECCIONISTAS
ELTON JOHN
SACRIFICE-STEREO
ROCKT RECORD 1989
LOVE IS A CANNIBAL 1989
MADE IN GERMANY
MUY BUEN ESTADO
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VINILO 45RPM
MILLI VANILLI
CARRERE 1989
GIRL IM GONNA MISS YOU
CABT YOU FEEL MY LOVE
BUEN ESTADO
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VINOLO 45RPM
LISA STANSFIELD
ARISTA 1989
ALL AROUND THE WORLD
WAKE UP BABY
BUEN ESTADO
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VINILO 45RPM
BRYAN ADAMS
RUN TO YOU
IM READY
AM RECORDS 1983
BUEN ESTADO
PRECIO $ 30.000
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VINILO 45RPM
REO SPEEDWAGON
IN MY DREAMS
OVER THE EDGE
1987 MADE IN USA
BUEN ESTADO
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VINI8LO 45RPM
ICE MC
EASY
EASY
ZYX RECORDS
MADE IN GERMANY
BUEN ESTADO
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VINILO 45RPM
ERASURE
YOU SURROUND ME 1989
91 STEP
M-GEMA 1989
BUEN ESTADO
PRECIO $ 30.000
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VINILO 45RPM
TRACY CHAPMAN
BORN TO FIGHT
CROSSROADS
ELEKTRA WEA 1989
ALEMANIA
BUEN ESTADO
PRECIO $ 30.000
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VINILO 45RPM
PAULA ABDUL
SINE ONE -STRAIGHT UP
SODE TWO- COLD HEART
VIRGIN 1988
PRINTED EN ALEMANIA
BUEN ESTADO
PRECIO $ 30.000
FLETES $ 8.000
LP MADONA
LIKE A PRAYER
SIRE UK: WX 239
PRODUCED BY MADONNA AND PATRICK LEONARD
INSERTO CON CANCIONES
SIDE ONE
LIKE A PRAYER
EXPRESS YURSELF
LOVE SONG
TILL DEATH DO US PART
PROMISE TO TRY
SIDE TWO
CHERISH
DEAR JESUS
OH FATHER
KEEP IT TOGETHER
SPANISH EYES.
MUY BUEN ESTADO
LA FOTO CORRESPONDE AL PL.
$ 25.000
FLETES LP $ 10.000
PARA COLECCIONISTAS
LP ESCALONA
UN CANTO A LA VIDA
SONY-COLUMBIA-
CARACOL TELEVISION
LADO A
EL TESTMENTO
LA MOLINERA
LA PATILLERA
EL ALMIRNTE PADILLA
EL MEJORAL
MIGUEL CANALES
EL VILANUEVERO
LADO B
JAIME MOLINA
EL ARCO IRIS
EL JERRE*JERRE
LA CUSTODIA DE BADILLO
LA RESENTIDA
LA GOLONDRINA
CARATULA Y LP EN BUEN ESTADO
LA FOTO CORRESPONDE AL LP.
PRECIO $ 25.000
FLETES LP $ 10.000
45 RPM VINILO
ROXETTE DANGEROUS
SURRENDER
PARLOPHONE EMI 1989
ALEMANIA
cubierta- buen estado
PRECIO $ 55.000
os.
LP KAREN
LA FOTO CORRESPONDEL AL LP
DISCOS VICTORIA 1991
668004A
DE TU BOCA-Juan Luis Guerra
LADO B
WOMAN DEL CLLAO Jun luis Guerra
Buen estado Caraturla y LP
PRECIO $ 25.000
FLETES LP $ 10.000
LP VINILO
LA BIONDA
SIDE ONE
1-THERE FOR ME
2-ONE FOR YOU,ONE FOR ME
SIDE TWO
SANDSTORM
SONG FOR SMOKEY AND THE BANDIT
DISCOS FUENTES STEREO 275001
CARATURA BUEN ESTADO
DISCO BUEN ESTADO
CUBIERTAS PROTEGIDAS POR
PLASTICO Y FUNDA DE PLANTICO.
BUEN ESTADO
PRECIO $ 30.000
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FLETES $ 10.000
PRECIO $ 25.000
MCA RECORDS
PULNEWMAN-RED REFORD
ROBERT SHAW
Discos Fuentes-
Stereo 245081
buen estado-
PRECIO $ 25.000
FLETES LP $ 10.000
El golpe (en inglés, The Sting) es una película estadounidense de 1973 dirigida por George Roy Hill. La película reunió de nuevo a Paul Newman y Robert Redford después de su trabajo conjunto en Dos hombres y un destino.
Sinopsis
En plena depresión en los Estados Unidos, dos estafadores de poca monta roban por casualidad una importante cantidad de dinero a un correo de un importante jefe mafioso, Doyle Lonnegan (Robert Shaw. En venganza, decide neutralizarlos. Por suerte, uno de ellos escapa, Johnny Hooker (Redford), quien acude a Chicago para solicitar la ayuda de un amigo del fallecido, Henry Gondorff (Newman). Allí, junto a Gondorff, y con la ayuda de una pandilla de estafadores profesionales, prepararán un elaborado plan («el golpe») que vengará al compañero
DISCO LASER -
LP - Vinyl - 1979 -
ARCADE - ADE G 62 - GermanyPatrick Hernandez - Born To Be Alive / Leif Garrett - I Was Made For Dancing / Racey - Lay Your Love On Me / Wallenstein - Charline / Snoopy - No Time For A Tango / Supermax - Music Express / Chris Norman & Suzi Quatro - Stumblin' In / Exile - You Thrill Me / Village People - Y.M.C.A. / Hot Chocolate - I'll Put You Together Again / Chic - Le Freak / Promises - Baby It's You / Sylvester - I Who Have Nothing / Ian Dury & The Blockheads - Hit Me With Your Rhythm Stick / Renee - Sweet Nothings / Gerard Kenny - New York New York / Kryptonite - Superman / Teach-In - Dear John / Guy De Lo & His Orchestra - The Pink Panther Disco Star / Luisa Fernandez - We All Love You Superman
Sehr guter Zustand !
LP - Vinyl - 1979 -
ARCADE - ADE G 62 - GermanyPatrick Hernandez - Born To Be Alive / Leif Garrett - I Was Made For Dancing / Racey - Lay Your Love On Me / Wallenstein - Charline / Snoopy - No Time For A Tango / Supermax - Music Express / Chris Norman & Suzi Quatro - Stumblin' In / Exile - You Thrill Me / Village People - Y.M.C.A. / Hot Chocolate - I'll Put You Together Again / Chic - Le Freak / Promises - Baby It's You / Sylvester - I Who Have Nothing / Ian Dury & The Blockheads - Hit Me With Your Rhythm Stick / Renee - Sweet Nothings / Gerard Kenny - New York New York / Kryptonite - Superman / Teach-In - Dear John / Guy De Lo & His Orchestra - The Pink Panther Disco Star / Luisa Fernandez - We All Love You Superman
Sehr guter Zustand !
Very good Condition !
PRECIO $ 25.000
LP CODISCOS
PALOMA SAN BASILIO
GRANDES EXITOS
INCLUYE NO LLORES POR MI ARGENTINA
LADO A
JUNTOS
LA HIEDRA
LIBRE
CONTIGO
DONDE VAS
LADO B
SECRETOS
AHORA
EL COLOR DEL MAR
BESO A BESO.. DULCEMENTE
LP Y CARATULA BUEN ESTADO
LA FOTO CORRESPONDE AL LP
PRECIO $ 35.000
LP LUIS MIGUEL ROMANCE
MTM 1992
LA FOTO CORRESPONDE AL LP.
USA
LUIS
1954 NO ME PLATIQUES MAS
1944 INOLVIDABLE
1958 LA PUERTA
1957 LA BARCA
1968 TE EXTRANO
1951 USTED
MIGUEL
1952 CONTIGO EN LA DISTANCIA
1953 MUCHO CORAZON
1965 LA MENTIRA
1961 CUANDO VUELVA A TU LADO
1986 NO SE TU
1967 COMO
Inserto doble con letra en Espanol
Disco y Caratura buen estado
PRECIO $ 25.000
FLETES LP $ 10.000
LP VINILO
PIMPINELA
CBS STEREO
LP Y CRATURAL BUEN ESTADO
LADO A
OLVIDAME Y PEGA LA VUELTA
AQUELLA CARICIA DE OTONO
BOFETADA
YO QUE VIVI AMANDO
VIVIR SIN TI NO PUEDO
SIN TENERTE CERCA
LADO B
PORQUE NO PUEDO SER FELIZ
DIMELO DELANTE DE ELLA
CUANDO NOS LLAMEN ABUELOS
EN EL UMBRAL DE MI PUERTA
POXA
AUNQUE NOSEA CONMIGO
PRECIO $ 25.000
FLETES $ 10.000
VINILO 45 RPM
MARISELA
180402 discos fm 1985
LADO A. Y NO TE VAYAS
LADO B.SI BI TE HUBIERAS IDO
en buen estado cubierta plastica
PRECIO $ 25.000
LP EXPOSE -EXPOSURE
ARISTA 7822-18441-1
PRINTED IN USA
LADO 1
COMO GO WITH ME
LET ME BE THE ONE
EXPOSED TO LOVE
SEASONS CHANGE
EXTRA EXTRA
LADO 2
POINT OF NOT RETURN
LOVE IS OUR DESTINY
I KNOW YOU KNOW
YOUR ARE THE ONE I NEED
DECEMBER
BY ANN CURLESS-JEANETTE JURADO-GIOIA BRUNO.
PRECIO $ 25.000
FLETES ´P $ 10.000
LP ZAFIRO STEREO ZLS-79
ESPECIAL DE : MOCEDADES -SECRETARIA
MUY BUEN ESTADO
ESCASO
LADO A
ERES TU
TOMAME O DEJAME
O H NO
EL VENDEDOR
LOS AMANTES
RECUERDOS DE MOCEDADES
LADO B
SECRETARIA
ADIOS AMOR
ESTA NOCHE HA LLOVIDO
RIO
OTONO
DISTRIBUIDO P
FLETES LP $ 10.000
ABBA
ABBA fue un grupo sueco de música pop, integrado por Benny Andersson, Anni-Frid «Frida» Lyngstad, Björn Ulvaeus y Agnetha Fältskog. El nombre «ABBA» es un acrónimo formado por las primeras letras del nombre de cada miembro.
RCA 05303101266
VICTOR STEREO
Side 1
MAMA MIA
HEY,HEY HELEN
TROPICAL LOVELAND
SOS
MAN IN THE MIDDLE
BANG-A-BOOMERANG
SIDE2
I DO,IDO,IDO IDO,IDO
ROCK ME
INTERMEZZO NO. 1
IVE BEEN WAITING FOR YOU
SO LONG
Muy buen estado-
PRECIO $ 30.000
FLETES LP $ 10.000
LP JESUS CHRIST
THE ORIGINAL MOTION PICTURE SOUND TRACK ALBUM
2 DISCOS
SUPERSTAR
MCA RECORDS MAPS 6847
STEREO 245071
SIDE ONE
OVERTURE
HEAVEN ON THEIR MINDS
WHATS THE BUZZ
STRANGE THING MYSTIFYING
THEN WE ARE DECIDED
EVERYTHINGS ALRIGHT
THIS JESUS MUST DIE
SIDE TWO
HOSSANA
SIMON ZEALOTES
POOR JERUSALEM
PILATES DREAM
THE TEMPLE
I DONT KNOW HOW TO LOVE HIM
DAMMED ALL TIME/BLOOD MONEY
SIDE THREE
THE LAST SUPPER
GETHSEMANE- I ONLY WANT TO SAY
THE ARREST
PETER DENIAL
PILATE AND CHRIST
KING HEROD SONG
SIDE FOUR
COULD WE START AGAIN. PLEASE
JUDAS DEATH
TRIAL BEFORE PILATE
SUPERSTAR
THE CRUCIFIXION
JOHN NINETEEN FORTY ONE
LA FOTO CORRESPONDE A LP
DOS LPS EN BUEN ESTADO
PRECIO $ 35.000
FLETES 2 LP $ 15.000
GRADUACIONES PARA VINILOS::
(N)=NEW. Nuevo.
El Vinilo se encuentra cerrado de Fábrica. sin abrir. No ha sido tocado nunca.
(M)=Mint.
Como Nuevo,en Perfectas condicones. Impecable.
(NM)=Near Mint.
Casi Nuevo. Se tocó solo una vez, Solo para Revisarlo. Limpio.
(EX)Excellent. Excelente.
El Vinilo ha sido tocado pocas veces y se encuentra en óptimo Estado y muy bien cuidado.
(VG+)Very Good Plus.
El Vinilo ha sido tocado regularmente. El sonido es bueno. Podría tener marcas visulaes pero nada que lo haga saltar o escucharse mal.
(VG)=Very Good.
El vinilo ha sido tocado regularmente y se le empieza a notar uso. Pude tener marcas visuales y ruidos de fondo o estática.
(G)=Good. Bueno
El vinilo ha sido tocado muchas veces y el Sonido ha sido afectado. Contiene ruido de fondo y podría saltar la aguja. Representa bastante uso.
SUPER REMATE "EL ATICO"-VENTA- MERCANCIAS-USADAS -" TODA CLASE DE ANTIGUEDADES--BILLETES-MONEDAS-COLECCIONABLES. LIBROS ANTIGUOS-
LP STARS ON 45
MERCURY 6302129
PHILIPS
SIDE A
STARS ON 45
NO REPLY
ILL BE BACK
DRIVE MY CAR
DO YOU WANT TO KNOW A SECRET
WE CAN WORK IT OUT
I SHOULD HAVE KNNOWN BETTER
NOW WHERE MAN
YOU ARE GOING TO LOOSE THAT GIRL
TICKET TO RIDE
THE WORD
ELEANOR RIGBY
EVERY LITTLE THING
SND YOUR BIRD CAN SING
GET BACK
EIGHT DAYS A WEEK
IT WONT BE LONG}DAYTRIPPER WAIT
GOOD DAY SHINE
MY SWEET LORD
WHILE MY GUITAR GENTLY WEEPS
TAXMAN
A HARD DAYS NIGHT
THINGS WE SAID TODAY IF I FELL
YOU CANT DO THAT
OKEASE PLEASE ME
FROM ME TO YOU
I WANNA HOLD YOU HAND
STARS 45
SIDE B
It you are interested let me know and I will
write for you.
Disco y caratural en buen estado.
LA FOTO CORRESPONDEL AL LP.
PRECIO $ 30.000
FLETES LP $ 10.000
LP VINILO
NIGHT FLIGHT TO VENUS
BONEY M.
INCLUYE RIOS DE BABILONIA
SWING HANSA
STEREO 26026 OT
BUEN ESTADO
CRATURLA Y LP
PRECIO $ 30.000
FLETES LP $ 10.000
Vinyl-LP-Hit Xxplosión-Die absoluten Super Hits-TG 1371 - 1982 Germany
stereo k-tel
side a
THE LAND OF MAKE BELIVE
CAMBODIA
UNA NOTTE SPECIALE
EISBAR
WHO HAVE NOTHING
I NEED YOU
CHEERIO
VIVA TORERO
FLASH IN THE NIGHT
SIDE B
HALE,HEY LOUISE
MY BONNIE
LITTLE LADY
TO BE SUPERMAN
ANGEL FROM PARADISE
LITTLE TOWN FLIRT
HELP,GET ME SOME HELP
M INNAMORO DI TE
REALITY
Lp en buen estado
us.
PRECIO $ 30.000
FLETES LP $ 10.000
Características del artículo
| Estado: |
Usado-buen estado
| Estado del artículo: | usado- como nuevo |
| Género: | Country | Record Grading: | VG |
| Estilo: | Country Rock | Sleeve Grading: | VG |
| Record Size: | 12" | Record Label: | Atlantic 23)7031-00226 |
| Duration: | LP | Velocidad: | 33 RPM |
Muy buen estado-
PRECIO $ 30.000
FLETES LP $ 10.000
LP VINILO
ABBA VOULEZ VOUS
RCA VICTOR
053030119
CARATULA BUEN ESTADO LP BUEN ESTADO
LA FOTO CORRESPONDE AL LP
SIDE A
AS GOOD AS NEW
VOULEZ-VOUS
I HAVE A DREAM
ANGELEYES
THE KING HAST LOST HIS CROWN
SIDE 2
DOES YOUR MOTHER KNOW
IF IT WASNT FOR THE NIGHTS
CHIQUITA SPANISH VERSION
LOVERS
KISSES OF FIRE
ALL SONGS WRITTEN,ARRANGED AND PRODUCED BY
BENNY ANDERSON AND BJORN ULVAEUS.
BUEN ESTADO
CONTIENE CHIQUITA
PRECIO $ 30.000
FLETES LP $ 10.000
LP FM
MARISELA
COMPLETAMENTE TUYA
LA A
SIENTEME,AMAME,QUIEREME
ASI DE FACIL
AHORA NO!
ENAMORADA Y HERIDA
MI PROBLEMA
LADO B
COMPLETAMENTE TUYA
MUERIENDO DE AMOR
AMIGO MIO,CARINO MIO
SOLA CON MI SOLEDAD
A CAMBIO DE QUE
MUY BUEN ESTADO CARATULA Y LP
PRECIO $ 30.000
FLETES LP $ 10.000
LP PARA COLECCIONISTAS
ELECTRIC LIGHT ORCHESTRA
DISCOVERY
EPIC STEREO 19189
LA FOTO CORRESPONDEL AL LP.
LUCE UN POCO DE AMOR
CONFUSION
NECESITO AMOR
EL DIARIO DE HORACE WIMP
ULTIMO TREN A LONDRES
AZUL DE MEDIANOCHE
CORRIENDO
DESEANDO
NO ME ABAQNDONES
CARATULA BUEN ESTADO LP.
LA FOTO CORRESPONDE AL LP
PRECIO $ 30.000
FLETES LP $ 10.000
FLETES GRATIS
QUE TE LA PONGO
SONO-RODVEN
61 1132
BUEN ESTADO CARATULA Y LP
LADO 1
QUE TE L PONGO
BANANA
HOT MIX:
OBERTURA}CACHITA
ELCUNBACHERO
MAMA INES
PALO BONITO
CONGA
LA PACHANGA
EL NEGRO AFRICANO
LA MUCURA
MAMBO NO. 8
QUE RICOP MAMBO
LADO 2
CHA CHA MIX
OBERTURA
RICO VACILON
ME LO DIJO ADELA
CORAZON DE MELON
CUENTAME
CACHITO
EL BODEGUERO
ESO ES EL AMOR
CAMAMERA DE MI AMOR
TROPI MIX
OBERTURA
SE VA EL CAIMAN
EL LADRON
LUNITA BARRANQUILLERA
SON TUS PERFUMES
PEDRO NVAJA
BAIO DE ANA
LA CANALLA
MARIA CRISTINA ME QUIERE GOBERNAR
CABALLO VIEJO
BAMBOLEO
UNA PRODUCCION CRAB
DIRIGIDA POR CARLOS GOMEZ
PRECIO $ 38.000
FLETES GRATIS
LP JULIO IGLESIAS
2 LPS
THE 24 GREATEST SONGS
CBS 88469
1978 EUROPA-HOLLANDA
LP EN BUEN ESTADO CARATULA COMO LA FOTO
1-QUIERME MUCHO
2-QUIERO
3-CUIDADO AMOR
4-ABRAZAME
5-ME OLVIDE DE VIVIR
6-POR UN POCO DE AMOR
LADO 2
1-A VECES TU, A VECES YO
2-POR EL AMOR DE UNA MUJER
4-SONO IO
5-UN CANTO DE GALICIA
6- A FLOR DE PIEL
DISCO DOS
1- SOY UN TRUHAN
2-CANDILEJAS
3-CU CU RRU CU
4-QUIEREME
5-AL LLANERA
6- PREGUNTALE
DISCO DOS
LADO 2
1-MANUELA
2-POBRE DIABLO
3JURAME
4-UN DIA DE TU DIA
5-CAMINITO
6- 33 ANOS.
CBS HOLAND
LAS FOTOS CORRESPONDN A LA CARATURALS
2-LPS EN BUEN ESTADO
PRECIO $ 35.000
FLETES $ 15.000
LP VINILO
CARPENTIERS
NOW -THEN
SIDE ONE
SING
THIS MASQUAREDA
HEATHER INSTRUMENTAL
JAMABLAYA
I CANT MAKE MUSICA
SIDE TWO
YESTERDAY ONCE MORE
MEDLEY FUN,FUN,FUN
THE END OF THE WORLD
DA DO RON RON
DEADMANS CURVE
JONNY ANGEL
THE NIGHT HAS A THOPUSANDS EYES
OUR DAY WILL COME
ONE FINE DAY
YESTERDAY ONCE MORE
PRINTED IN USA
SP-351
DISCO BUEN ESTADO
CARATURALA MARCADA POR EL USO.
PRECIO $ 30.000
FLETES LP $ 10.000
LP TROPICA CLUB
TRPICAL VOL 1
CBS 14466659
LA FOTO CORRESPONDE AL LP
FLETES $ 10.000
CATARUTULA Y LP BUEN ESTADO
LADA 1-CUMBIAS
AMANECER DE UNA CUMBIA
POLLERA COLORA
LA MUCURA
AY COSITA LINDA
ADIOS CORAZON
MOMPOSINA
LA MUCURA
II CHA-CHA-CHA
BODEGUERO
LA BOA
BONITO Y SABROSO
VEREDA TROPICAL
SENOR JUEZ
CALCULADORA
BODEGUERO
III CUMBIAS
FESTIVAL GUARARE
LA BANDA BORRACH
MOCHILON
PRESUMIDA
COSECHA DE MUJERES
IV CUMBIAS
SE ME PERDIO LA CADENITA
GAVILAN
EL ORANGUTAN
QUIERO AMANECER
SANTA MARTA
MARIA CRISTINA
LADO 2
1 CHA-CHA-CHA
CACHITA
RICO BACILON
ADELA
FRENESI
CORAZON DE MELON
CACHITA
II CUMBIA
ANO VIEJO
SUAVECITA
PLEGARIA VALLENATA
MEDALLON
PESCADOR
TODOS LOS DOMINGOS
III MERENGUES
INTRODUCCION
PALO BONITO
ABUSADORA
EL AFRICANO
OYE TUS OJOS
NEGRITO DEL BATEY
OYE ABRE TUS OJOS
PRECIO $ 30.000
LP JOE ARROYO
PARA COLECCIONISTAS
LA GUERRA DE LOS CALLADOS
LADO A
LA GUERRA DE LOS CALLADOS
EL TRATO
TERESA VUELVE
EL VERANO
LADO B
EL MANA
TE QUIERO MAS
EL NINO DIOS
MATIAGU
CARATULA Y LP BUEN ESTADO
LA FOTO CORRESPONDE AL LP.
PRECIO $ 30.000
FLETES LP $ 10.000
LP VINILO
BAILABLES DE ANTOLOGIA
MEDIO SIGLO DE MUSICA BAILABLE COLOMBIANA
SURAMERICANA
ORQUESTA BILLOS CARACAS BOYS
LADO A
TRES PERLAS
BOQUITA SALA
MI CALI BELLA
LAS PILANDERAS
PLAYA BRISA Y MAR
CARMEN DE BOLIVAR
LADO B
FIESTA EN CORRALEJA
PALMIRA SENORIAL
MACONDO
NAVIDAD NEGRA
PAISAJE
ROBERTO RUIZ
LP Y CARATURAL EN BUEN ESTADO
PRECIO $ 25.000
FLETES LP $ 10.000
LP
JUAN LUIS GUERRA
REITO 440
KAREN
REPUBLICA DOMINICANA
MUY BUEN ESTADO
LA CORRESPONDE AL LP
PRECIO $ 35.000
FLETES LP $ 10.000
USADO- BUEN ESTADO
ORIGINAL
CAPITOL ESTEREO
11808
FLETES LP $ 10.000
The Jazz Singer (soundtrack)
From Wikipedia, the free encyclopedia
| The Jazz Singer | ||||
|---|---|---|---|---|
 | ||||
| Soundtrack album by Neil Diamond | ||||
| Released | November 10, 1980 | |||
| Recorded | 1980 | |||
| Genre | Pop, rock | |||
| Length | 40:11 | |||
| Label | Capitol (original) Columbia (reissue) | |||
| Producer | Bob Gaudio | |||
| Neil Diamond chronology | ||||
| ||||
LP VINILO EMOTIONS
TODAYS LOVE HITS
ALL ORIGINALS
PARA COLECCIONISTAS
KTEL NU 9390
PRINTED IN USA
SIDE ONE
SOMETIMES WHEN WE TOUCH
I GO CRAZY
FALLING
THIS ONES FOR YOU
I DONT LIKE TO SLEEP ALONE
DONT MAKE MY BROWN EYES BLUE
TORN BETWEEN TOW LOVERS
DONT GIVE UP TO US
SIDE TWO
EASY
THIS TIME IAM IN IT FOR LOVE
LOVES GRON DEEP
RIGHT TIME OF THE NIGHT
GONE TOO FAR
GET CLSER
IF I ANT HAVE YOU
EMOTIONS
BUEN ESTADO
COLECCIONISTAS
PRECIO $ 30.000
FLETES $ 10.000
LP CBS STEREO 14465
NEIL DIAMOND
SIDE 1
IVE BEEN THIS WAY BEFORE
ROSEMARY WINE
LADY MAGDALENA
THE LAST PICASO
SIDE 2
LONGFELLOW SERENADE
YES I WILL
REGGAE STRUT
THE GIT OF SONG
DISCO EN BUEN ESTADO
CARTALUA COMO LA FOTO.
LA FOTO CORRESPONDE AL LP.
PRECIO $ 30.000
FLANS
LUZ Y SOMBRA
CBS 33 1/3
142142
LADO A
CARA O CRUZ
CORRE,CORRE
NO ME OLVIDES
SIN TI
FISICO
LADO B
ME HE ENAMORADO DE UNA FAN
NO ME QUIERO CASAR
LAS MIL Y UNA NOCHES
LUZ Y SOMBRA
DAME TIEMPO
Caraturala y Disco en Buen estado
PRECIO $ 30.000
LP HISPA VOX
JOSE LUIS PERALES
GRANDES EXITOS
BUEN ESTADO
LA FOTO CORRESPONDE AL LP
LADO A
YO QUIERO SER
PRIMER AMOR
QUISIERA DECIR TU NOMBRE
PODRE EOLVIDAR
COSAS DE DONA ASUNCION
EL TORERILLO
LADO B
Y TE VAS
ESO ME PRRGUNTO YO
POR TI
SI
CELOS DE MI GUITARR
PARA VOS CANTO
EL DIA QUE TENGA UNA CASA
LA FOTO CORRESPONDE AL LP
PRECIO $ 25.000
FLETES LP $ 10.000
LP VINILO
YOU CAN DANCE
MADONNA AND DANCING
SIRE RECORDS USA
SIDE ONE
SPOTLIGHT
HOLIDAY
EVERYBODY
PHYSICAL ATTRACTION
SIDE TWO
OVER END OVER
INTO THE GROOVE
WHERES THE PARTY
LP AND CARATURLA MUY BUENAS CONDICIONES
PRECIO nbsp; 45.000
PRECIO $ 30.000
FLETES LP $ 10.000
PRECIO $ 30.000
FLETES LP $ 10.000
LP VINILO
LOS VECINOS SPECIAL DELIVERY
SIDE A
SE VA TERESA
2-EN EL PRIMER LUGAR
3-LE NIEGO EL BESO
4-AMOR IMPOSIBLE
SIDE B
PARA NADA
NO SE MUERE NA
AMOR CON AMOR SE PAGA
SE VA A REIR DE TI
DIRECTOR MUSICAL RAFAEL A. QUEZADA
DISCOS SONOLUX 01013101464
CARATURLA Y LP BUEN ESTADO
PRECIO $ 30.000
FLETES LP $ 10.000
LP
OF A SIMPLE MAN
PHILIPS STEREO 6369801
BUEN ESTADO
PRECIO $ 35.000
LA FOTO CORRESPONDE AL LP
SIDE 1
INTRO
THEARE IAUNT NO WAY
A BIG KITE
RECYCLE SALLY
DONT EXPECT ME TO BE YOUR FRIEND
A SIMPLE MAN
SIDE 2
ID LOVE YOU TO WANT ME
LET ME DOWN EASY
PEER-RO JUAN VALDEZ SAM QUIXOTE
RUNNING DEER
GYPSY AND THE3 MIDNIGHT GHOST
AM I TRU MYSELF
ALL SONGS WRITTEN BY LOBO AND PUBLISHED BY
KAISER MUSIC INC/FAMOUS MUSIC CORP, ASCAP
Accousticl guitats: Lobo
LP 1973
PRECIO $ 30.000
FLETES LP $ 10.000
LP
JUAN LUIS GUERRA 4.40
BACHATA ROSA
DISCOS KAREN 5680078
BUEN ESTADO CARATURAL Y ACETATO
PRECIO $ 30.000
FLETES LP $ 10.000
SUPER REMATE "EL ATICO"-VENTA- MERCANCIAS-USADAS -" TODA CLASE DE ANTIGUEDADES--BILLETES-MONEDAS-COLECCIONABLES. LIBROS ANTIGUOS-
LP FRANCE JOLI
SIDE ONE
COMO TO ME
LET GO
SIDE TWO
DONT STOP DANCING
PRELUDER RECORD NEW YORK
LP EN BUENAS CONDICIONES CONDICIONES
CARATULA FRONTAL COMO SE EN LA FOTO
ESTUVO ADHERIDA A OTRO LP.
PRELUDE RECORDS PRL 12170
Muy buen estado-
PRECIO $ 30.000
LP
JOSE FELICIANO ESCENAS DE AMOR
DISCO INCOLVE MW3 4179
MUY BUEN ESTADO
FLETES LP $ 10.000
PRECIO $ 30.000
LA FOTO CORRESPONDE AL LP.
POLYSTAQR STEREO 2475 507
FLETES $ 10.000
PRECIO $ 30.000
Barbra Streisand – Guilty
BARRY GIBB
Label:
Columbia – FC 36750
Format:
Vinyl, LP, Album, Gatefold
Country:
U sa
Released:
Genre:
Pop
Style:
Vocal, Ballad
BUEN ESTADO
FLETES LP $ 10.000
PRECIO $ 30.000
LADO 1 a STEREO
RCA
LPS 53-1333
SILVER CONVENTION
1-GET UP AND BOOGIE )THAT IS RIGHT
2-NO,NO,JOE
3-SAN FRANCISO HUSTLE
4-PLAY ME LIKE A YO-YO
LADO 2 1-YOU{VE WHAT IT TAKES
2-OLD WINE IN NEW BOTTLES
3-YOU TURNED ME ON, BUT YOU CAN{T TURN ME OFF.
4THE BOY WITH TH OHH-LA LA
5-THANK YOU MR. D.J
MIDLAND AND RECORDS PRODUCTIOS 1976
USADO- BUEN ESTADO
RCA
PRECIO $ 35.000
FLETES LP $ 10.000
LP SALPICON VOL I
LADO A
SACUDETE NENA
TE VOY A SACIAR DE MI
BOCA ROSA
POR ALGUIEN SE FUE
BANDOLERO
L FAMILIA
LADO B
VEN DEVORAME OTRA VEZ
BAILA,BAILA
HAGOAMOSLO
SE CONTONEA
QUIERO VETER
TU
BUEN ESTADO LA CARATURAL Y EL ACETATO.
FLETES LP $ 10.000
PRECIO $ 35.000
LP VINILO
LOS TOREROS MUERTOS POR BIAFRA
LADO A
MAMA
EL CIELO ES AZUL
ON THE DESK
LOS NINOS DE COLORES
EN MI PORTAL
LADO B
PARA TI
PILAR
EN UN CUARTO DE BANO
MANOLITO
VMOS AL CMPO
DIME GUA
SONOLUX-ARRIOLA
LP Y CARATURAL BUEN ESTADO
PRECIO $ 25.000
FLETES $ 10.000
COMPRO LPS BUEN ESTADO-
BANDA BLANCA
SOPA DE CARACOL
CON EL NUEVO RITMO -PUNTA-
DISCOS FUENTES STEREO
206324
BUEN ESTADO
PRECIO $ 30.000
FLETES LP $ 10.000
LP VINILO
BUEN ESTADO LP Y CARATULA
COLCAFE VOLUMN 21
LADO A
A QUIEN QUIERO NO ME QUIERE
HOJAS DE CALENDARIO
RONDANDO TU ESQUINA
INFORTUNIO
SI HOY FUERA AYER
CON TODA EL ALMA
LDO B
TRES PALABRAS
TU DUDA Y LA MIA
DOS ALMAS
NEGRITA CHAVELONA
BUSCO TU RECUERDO
OFENSA
PRECIO $ 20.000
FLETES LP $ 10.000
RAIN MAN
ORIGINAL MOTION PICTURE SOUND TRACK
DUSTIN HOFFMAN- TOM CUISE
FRANCE PM 7 91866 1
CAPITOL RECORDS ORIGINAL
1989
Marketed ,manufactured and distributed by EMI
Printed in Holland by EMEI
En Frnce: Distribution exclusive EMI
Deustland: EMI ELECTROLA GmnH, Koln
MUY BUEN ESTADO CARATULA Y DISCO
COMO NUEVO
SIDE ONE
IKO IKO
SCATTERLING OF AFRICA
DRY BONES
AT LAST
LONELY AVENUE
NATHAN JONES
SIDE2
LEAVING WALLBROOK ON THE ROAD
LAS VEGAS/ END CREDITS
STARDUST
BEYORN THE HORIZON BLUE HORIZON
RCA
PRECIO $ 30.000
FLETES LP $ 10.000
LP VINILO
MERENGUES EN REMIX
SONOLUX LADO 1
PEGANDO PECHO
LA FALDITA
EL MORENO ESTA
LA MORENITA
HOT! ME GUSTASTE
LADO 2
1-TU PUM PUM SOY CHIQUITO
LA NEGRA
LA MANITO
EL CANTINERO
PLATANO MADURA
LP Y CARATURAL BUEN ESTADO
PRECIO $ 20.000
FLETES LP $ 10.000
LP VINILO
EXITOS ORIGINALES
BILIBURRINA
BURBUJAS DE AMOR
COMO ABEJA AL PANAL
GRABDES EXITOS DE JUAN LUIS GUERRA Y 4.40
LADO A
1-COMO ABEJA AL PANAL
2-OJALA QUE LLEVA CAFE
3-SI TU TE VAS
4-AY MUJER
5-ME ENAMORO DE ELLA
LADO B
BURBUJAS DE AMOR
BILIBURRINA
TU
4-ELLA DICE
5-REINA MIA
DISCOS KAREN STEREO 58680074
LP BUEN ESTADO-
CARATULA BUEN ESTADO
PRECIO $ 35.000
FLETES LP $ 10.000
VINILO 45 RPM
SONOLUX-ARIOLA
1984
18-0211-00182
JUAN GABRIEL
EL NO A NO A II
QUERIDA
BUEN ESYADO CUBIERTA ´PLASTICO SONOLUX
COLECCIONISTAS
PRECIO $ 30.000
VINILO 45 RPM
LOS FANTASMAS DEL CARIBE
SONOLUX 1992
LADO A MUCHACHA TRISTE
LADO BELLA ES
BUEN ESTADO
PRECIO $ 30.000
VINILO 45RPM
DISCOS VICTORIA 1988
A. EL NECESSER DE MARGARITA
B.LOS POLLITOS
VERSION DONESPIKINGLICH
CUBIERTA PLASTICO
DISCO VINILO 45RPM
SANTANA
A.SAMBA PA TI
B.SE ACABO
CBS 1973
STEREO 1840
FROM THE CBS ALBUM -ABRAXAS-
VINILO 45 RPM
FELIX MADRIGAL
NATUSHA
1. AMOR MIO LADO B
2.TU LA TIENES QUE PAGAR LADO A
1991 SONY MUSIC
46001235
COLECCIONISTAS
VINILO 45RPM
42654043
COLUMBIA 1992
1. NO ENTIENDO
2.BESOS PROHIBIDOS
BUEN ESTADO
ANA GABRIEL
DISCO VINILO 45RPM
DONNA SUMMER
THIS TIME I KNOW ITS FOR REAL
WHATEVER YOUR HERT DESIRES
GEMA/BIEM 1989
PRECIO $ 25.000
VINILO 45RPM
STEREO 42179
MANDUCO
LADO A. LA SUAVECITA
LADO B.UN TRAGO PARA LOS DOS
VICTOR GUTIERRES
CBS
BUEN ESTADO
PRECIO $ 25.000
LP HISTORY FROM WIKIPEDIA
LP HISTORY FROM WIKIPEDIA
The LP (long playing[1]), or 331⁄3 rpm microgroove vinyl record, is a format forphonograph (gramophone) records, an analog sound storage medium. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire record industry. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, it has remained the standard format for vinyl albums.
Contents
[hide]Format advantages[edit]
At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive (and therefore noisy) shellac compound, employed a much larger groove, and played at approximately 78 revolutions per minute (rpm), limiting the playing time of a 12-inch diameter record to less than five minutes per side. The new product was a 12- or 10-inch (30 or 25 cm) fine-grooved disc made of vinyl and played with a smaller-tipped "microgroove" stylus at a speed of 331⁄3 rpm. Each side of a 12-inch LP could play for more than 20 minutes. Only the microgroove standard was truly new, as both vinyl and the 331⁄3 rpm speed had been used for special purposes for many years, as well as in one unsuccessful earlier attempt to introduce a long-playing record for home use.
Although the LP was especially suited to classical music because of its extended continuous playing time, it also allowed a collection of ten or more typical pop music recordings to be put on a single disc. Previously, such collections, as well as longer classical music broken up into several parts, had been sold as sets of 78 rpm records in a specially imprinted "record album" consisting of individual record sleeves bound together in book form. The use of the word "album" persisted for the one-disc LP equivalent.
History[edit]
Soundtrack discs[edit]
The prototype of the LP was the soundtrack disc used by the Vitaphone motion picture sound system, developed by Western Electric and introduced in 1926. For soundtrack purposes, the less than five minutes of playing time of each side of a conventional 12-inch 78 rpm disc was not acceptable. The sound had to play continuously for at least 11 minutes, long enough to accompany a full 1,000-foot (300 m) reel of 35 mm film projected at 24 frames per second. The disc diameter was increased to 16 inches (40 cm) and the speed was reduced to 331⁄3 revolutions per minute. Unlike their smaller LP descendants, they were made with the same large "standard groove" used by 78s.
Unlike conventional records, the groove started at the inside of the recorded area near the label and proceeded outward toward the edge. Like 78s, early soundtrack discs were pressed in an abrasive shellac compound and played with a single-use steel needle held in a massive electromagnetic pickup with a tracking force of five ounces (1.4 N).
By mid-1931, all motion picture studios were recording on optical soundtracks, but sets of soundtrack discs, mastered by dubbing from the optical tracks and scaled down to 12 inches to cut costs, were made as late as 1936 for distribution to theaters still equipped with disc-only sound projectors.[2]
Radio transcription discs[edit]
Syndicated radio programming was distributed on 78 rpm discs beginning in 1928. The desirability of a longer continuous playing time soon led to the adoption of the Vitaphone soundtrack disc format. 16-inch 331⁄3 rpm discs playing about 15 minutes per side were used for most of these "electrical transcriptions" beginning about 1930. Transcriptions were variously recorded inside out like soundtrack discs or with an outside start.
Longer pieces recorded live which extended over the course of several discs, pioneered the system of recording odd-numbered sides inside-out and even-numbered sides outside-in so that the fidelity would match when changing sides or discs. Since no changers were present in radio broadcasting, the sides had to be pressed in a hybrid of manual and automatic sequencing, arranged in such a manner that no single disc had to be turned over to play its other half, i.e., instead of a three-disc set having 1–2, 3–4 and 5–6 for manual or 1–6, 2–5 and 3–4 for automatic, broadcast sequences would have 1–4, 2–5 and 3–6.
Some transcriptions were recorded with a vertically modulated "hill and dale" groove, as this was found to allow not only a deeper bass due to the fact that turntable rumble was laterally-modulated in early radio station turntables, but also an extension of the high-end frequency response, neither of which was necessarily a great advantage in practice because of the limitations of AM broadcasting. However, today we can enjoy the benefits of those higher-fidelity recordings, even if the original radio audiences could not.
Initially, transcription discs were pressed only in shellac, but by 1932 pressings in RCA Victor's vinyl-based "Victrolac" were appearing. Other plastics were sometimes used. By the late 1930s, vinyl was standard for nearly all kinds of pressed discs except ordinary commercial 78s, which continued to be made of shellac.
Beginning in the mid-1930s, one-off 16-inch 331⁄3 rpm lacquer discs were used by radio networks to archive recordings of their live broadcasts, and by local stations to delay the broadcast of network programming or to prerecord their own productions. In the late 1940s, magnetic tape recorders were adopted by the networks to prerecord shows or repeat them for airing in different time zones, but 16-inch vinyl pressings continued to be used into the early 1960s for non-network distribution of prerecorded programming. The LP's microgroove standard started to be incorporated in the late 1950s, and in the 1960s the discs were reduced to 12 inches, becoming physically indistinguishable from ordinary LPs.
Unless the quantity required was very small, pressed discs were a more economical medium for distributing high-quality audio than tape, and CD mastering was, in the early years of that technology, very expensive, so the use of LP-format transcription discs continued into the 1990s. The King Biscuit Flower Hour is a late example, as are Westwood One's The Beatle Years and Doctor Demento programs, which were sent to stations on LP at least through 1992.[3]
RCA Victor[edit]
RCA Victor introduced an early version of a long-playing record for home use in September 1931. These "Program Transcription" discs, as Victor called them, played at 331⁄3 rpm and used a somewhat finer and more closely spaced groove than typical 78s. They were to be played with a special "Chromium Orange" chrome-plated steel needle. The 10-inch discs, mostly used for popular and light classical music, were normally pressed in shellac, but the 12-inch discs, mostly used for "serious" classical music, were normally pressed in Victor's new vinyl-based Victrolac compound, which provided a much quieter playing surface. They could hold up to 15 minutes per side. Beethoven's Fifth Symphony, performed by thePhiladelphia Symphony Orchestra under Leopold Stokowski, was the first 12-inch recording issued. The New York Timeswrote, "What we were not prepared for was the quality of reproduction ... incomparably fuller."[4][5][6] Unfortunately for Victor, it was downhill from there. Many of the subsequent issues were not new recordings but simply dubs made from existing 78 rpm record sets. The dubs were audibly inferior to the original 78s. Two-speed turntables with the 331⁄3 rpm speed were included only on expensive high-end machines, which sold in small numbers, and people were not buying many records of any kind at the time. Overall record sales in the US had crashed from a high of 105.6 million records sold in 1921 to 5.5 million in 1933, because of competition from radio and the effects of the Great Depression.[7] Few if any new Program Transcriptions were recorded after 1933 and two-speed turntables soon disappeared from consumer products. Except for a few recordings of background music for funeral parlors, the last of the issued titles had been purged from the company's record catalog by the end of the decade. The failure of the new product left RCA Victor with a low opinion of the prospects for any sort of long-playing record, influencing product development decisions during the coming decade.
Columbia[edit]
CBS Laboratories head research scientist Peter Goldmark led Columbia's team to develop a phonograph record that would hold at least 20 minutes per side.[8] The team included Howard H. Scott, who died September 22, 2012, at the age of 92.[9]
Research began in 1941, was suspended during World War II, and then resumed in 1945.[10] Columbia Records unveiled the LP at a press conference in the Waldorf Astoria on June 18, 1948, in two formats: 10 inches (25 centimetres) in diameter, matching that of 78 rpm singles, and 12 inches (30 centimetres) in diameter.[11] The initial release of 133 recordings were: 85 twelve-inch classical LP's (ML4001 to 4085), 26 ten-inch classics (ML2001 to 2026), 18 ten-inch popular numbers (CL6001 to 6018) and 4 ten-inch juvenile records (JL 8001 to 8004). According to the 1949 Columbia catalog, issued September 1948, the first twelve-inch LP was Mendelssohn's Concerto in E Minor by Nathan Milstein on the violin with the New York Philharmonic, conducted by Bruno Walter (ML 4001). Three ten-inch series were released: 'popular', starting with the reissue of The Voice of Frank Sinatra (CL 6001); 'classical', numbering from Beethoven's 8th symphony (ML 2001), and 'juvenile', commencing with Nursery Songs by Gene Kelly (JL 8001). Also released at this time were a pair of 2-LP sets, Puccini's La Bohème, SL-1 and Humperdinck's Hansel & Gretel, SL-2.[12]
Public reception[edit]
When the LP was introduced in 1948, the 78 was the conventional format for phonograph records. By 1952, 78s still accounted for slightly more than half of the units sold in the United States, and just under half of the dollar sales. The 45, oriented toward the single song, accounted for just over 30% of unit sales and just over 25% of dollar sales. The LP represented not quite 17% of unit sales and just over 26% of dollar sales.[13]
Ten years after their introduction, the share of unit sales for LPs in the US was almost 25%, and of dollar sales 58%. Most of the remainder was taken up by the 45; 78s accounted for only 2% of unit sales and 1% of dollar sales.[7] For this reason, major labels in the United States ceased manufacturing of 78s for popular and classical releases in 1956 with the minor labels following suit, with the final US-made 78 being produced in 1959.
Canada and the UK continued production into 1960 and India, the Philippines and South Africa continued to produce 78s up until 1965, with the last holdout, Argentina continuing the practice until 1970.
The LP's popularity ushered in the Album Era of English-language popular music beginning in the 1960s as performers took advantage of the longer playing time to create coherent themes or concept albums. Although the popularity of LPs fell in the late 1970s with the advent of first cassettes and later compact discs, the album survived as a popular format well into the 2000s.
Vinyl LP records have enjoyed an increased resurgence amongst a younger generation in the early 2010s.[14] Vinyl sales in the UK reached 2.8 million in 2012.[15]
Competing formats[edit]
The LP was soon confronted by the "45", a 7-inch (180 mm) diameter fine-grooved vinyl record playing at 45 rpm. It was introduced by RCA Victor in 1949. In an attempt to compete with the LP, boxed albums of 45s were issued, along with EP (Extended Play) 45s, which squeezed two or even three selections onto each side. Despite these efforts the 45 succeeded only in directly replacing the 78 as the format for issuing singles of individual popular songs.
Reel-to-reel magnetic tape recorders posed a new challenge to the LP in the 1950s, but the higher cost of prerecorded tapes was one of several factors that confined tape to a niche market. Cartridge and cassette tapes were more convenient and less expensive than reel-to-reel tapes and they became popular for use in automobiles beginning in the mid-1960s. However, the LP was not seriously challenged as the primary medium for listening to recorded music at home until the 1970s, when the audio quality of the cassette format was greatly improved by better tape formulations and noise reduction systems. 1983 saw the world-wide introduction of the digital Compact Disc (CD), which offered a recording that was, theoretically, completely noiseless and not audibly degraded by repeated playing or slight scuffs and scratches. At first, the much higher prices of CDs and CD players limited their target market to affluent early adopters and audiophiles, but the prices gradually came down and by the early 1990s the CD had definitively succeeded in toppling the LP from its throne.
Along with phonograph records in general, some of which were made of other materials, LPs are now widely referred to simply as "vinyl". Beginning in the late 1990s and continuing into the 2010s, a modest renewed interest in vinyl has developed and the demand for the medium has been on a steady increase in niche markets, particularly among audiophiles, DJs and fans of indie music. However, the vast majority of recorded music sales are of compact discs and downloadable digital audio files, because of their greater convenience of use, generally cheaper prices and wider availability.[16]
Playing time[edit]
 | This section does not cite any sources. (June 2013) |
When initially introduced, 12-inch LPs played for a maximum of 45 minutes, divided over two sides, with 10-inch versions carrying a maximum of 35 minutes again over two sides.
Owing to marketing attitudes at the time, the 12-inch format was reserved solely for higher-priced classical recordings andBroadway shows. Popular music appeared only on 10-inch records. Executives believed classical music aficionados would leap at the chance to finally hear a Beethoven symphony or a Mozart concerto without having to flip over a seemingly endless series of four-minute-per-side 78s, but popular music fans, used to consuming one song per side at a time, would find the shorter time of the 10-inch LP sufficient. This belief would prove to be erroneous in the end, and by the mid-1950s the 10-inch LP, like its similarly sized 78 rpm record, would lose out in the format wars and be discontinued. Ten-inch records would reappear as mini-albums in the late 1970s and early 1980s in the United States and Australia as a marketing alternative.
Exceptions[edit]
However, in 1952, Columbia Records began to bring out extended-play LPs that played for as long as 52 minutes, or 26 minutes per side.[citation needed] These were used mainly for the original cast albums of some Broadway musicals, such asKiss Me, Kate and My Fair Lady, or in order to fit an entire play, such as the 1950 production of Don Juan in Hell, onto just two LPs. The 52+ minute playing time remained rare, however, because of mastering limitations, and most LPs continued to be issued with a 30- to 45-minute playing time throughout the lifetime of their production.
An extremely limited number of albums would eventually exceed even the 52-minute limitation, with single albums going to as long as ninety minutes in the case of Arthur Fiedler's 1976 LP 90 Minutes with Arthur Fiedler and the Boston Pops, made by Radio Shack.[17] However, such records had to be cut with much narrower spacing between the grooves, which allowed for a much smaller amount of dynamic range on the records, and meant that playing the record with a worn needle could damage the record. It also resulted in a much quieter sound. Other notably long albums included the UK version of The Rolling Stones' Aftermath, with each side exceeding 26 minutes in length; Genesis' Duke, with each side exceeding 27 minutes; Bob Dylan's 1976 album Desire, with side two being just shy of thirty minutes; Brian Eno's 1975 album Discreet Music, whose A-side exceeded 30 minutes; Miles Davis' 1972 album Get Up with It, totalling 124:15 min over four sides;Todd Rundgren's 1975 album Initiation, totaling 67:32 min over two sides, and his 1973 album A Wizard, A True Star, whose second side reaches almost thirty minutes; La Monte Young's Dream House 78' 17", whose two sides were each just under 40 minutes (the running time of the album is indeed 78:17 min); and André Previn's Previn Plays Gershwin,, with theLondon Symphony Orchestra, whose sides each exceeded 30 minutes.[18] Single-LP releases of Beethoven's Ninth Symphony contained over 30 minutes on each side, with the third movement split into two parts. The Greenpeace International Record Project released in 1985 also approaches 40 minutes per side over its two sides. An extremely rare two-disc German pressing restores full sonic clarity and dynamic range lost by the compression to single-disc.
Spoken word and comedy albums, not having a wide range of musical instrumentation to reproduce, can be cut with much narrower spacing between the grooves; for example, The Comic Strip, released by Springtime Records in 1981, has a side A lasting 38:04 min and a side B lasting 31:08 min, for a total of 69:12 min.
In any case, the standard 45-minute playing time of the LP was a significant improvement over that of the previous dominant format, the 78 rpm single, which was generally limited to three to four minutes. At around 14 minutes per side for 10-inch and 23 minutes per side for 12-inch, LPs provided a measured time to enjoy a recording before having to flip discs.
Changers[edit]
Some record turntables, called record changers, could play a stack of records piled on a specially designed spindle and arm arrangement. Because of this, many multiple-record sets were released in what is called "automatic sequence". A two-record set would have Side 1 and Side 4 on one record, and Side 2 and Side 3 on the other, so the first two sides could play in a changer without the listener's intervention, and then they could simply flip the stack over. Larger boxed sets used appropriate automatic sequencing (1–8, 2–7, 3–6, 4–5 for example) to allow for ease of continuous playback, but difficulties if searching for an individual track.
In contrast to compact disc players, very few record players, e.g., laser or selected linear tracking turntables like Sharp RP-107/117,[19] could provide a per-track programmable interface, so the record albums play in the same order every time. As the LP achieved market dominance, musicians and producers began to pay special attention to the flow from song to song, to keep a consistent mood or feel, or to provide thematic continuity, as in concept albums.
Vulnerabilities[edit]
Vinyl records are much more vulnerable to scratches than CDs. On a record, a scratch can cause popping sounds with each revolution when the needle meets the scratch mark. Deeper scratches can cause the needle to jump out of the groove altogether. If the needle jumps ahead to a groove further inward, information gets skipped. And if it jumps outward to the groove it just finished playing, it can repeat in an infinite loop. This particular result of damage spawned the common simile "like a broken record", referring to anything that repeats seemingly endlessly. Additionally, records used in radio stations can suffer cue burn, which is a result of putting the needle on the record and then backing it up approximately a quarter turn so that it will play at the proper speed when the DJ starts the song. When this is done repeatedly, a hissing sound will preface the start of the actual song.
The large surface area of the record, being vinyl which is a material that is susceptible to becoming statically charged, pullsdust and smoke suspended particles out of the air, also causing crackles, pops, and (in the worst cases of contamination) distortion during playback. Records may be cleaned before playing, using record cleaner and/or antistatic record cleaning fluid and anti-static pads.[20]
Since LP discs are delicate, as well as heavy for their size, people are less inclined to lug a stack of them around – for example, when visiting friends or when traveling – than a similar quantity of music compiled onto 90-minute cassettes,compilation-tapes, or today's digital formats.
Groove[edit]
The average LP has about 1,500 feet (460 m or about a third of a mile) of groove on each side. The average tangential needle speed relative to the disc surface is approximately 1 mph, 1.4 km/h or 0.4 m/s. It travels fastest on the outside edge, unlike audio CDs, which change their speed of rotation to provide constant linear velocity (CLV). (By contrast, CDs play from the inner radius outward, the reverse of phonograph records.)
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The empty space before the start of the music has been amplified +15 dB to reveal the pre-echo.
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Thin, closely spaced spiral grooves that allowed for increased playing time on a 331⁄3 rpm microgroove LP led to a faint pre-echo warning of upcoming loud sounds. The cutting stylus unavoidably transferred some of the subsequent groove wall's impulse signal into the previous groove wall. It was discernible by some listeners throughout certain recordings but a quiet passage followed by a loud sound would allow anyone to hear a faint pre-echo of the loud sound occurring 1.8 seconds ahead of time.[21] This problem could also appear as "post"-echo, with a ghost of the sound arriving 1.8 seconds after its main impulse.
The RIAA equalization curve (used since 1954) de-emphasizes (weakens) the bass notes during recording, allowing closer spacing of record grooves and hence more playing time. It also boosts the high frequencies so the playback mirror image correction reduces surface noise. On playback, the turntable cartridge pre-amplifier reverses the RIAA curve to flatten out the frequencies again restoring the bass notes to normal and reducing the high frequencies to normal while reducing the inherent background hiss produced by the stylus contacting an imperfect vinyl surface. The net effect of RIAA equalization is to allow longer playing time and lower background noise while maintaining full fidelity of music or other content.
Fidelity and formats[edit]
The audio quality of LPs has increased greatly since their 1948 inception. Early LP recordings were monophonic; Alan Blumlein patented Stereophonic sound in 1931 (although stereophony had been demonstrated in 1881) but unsuccessful attemptswere made to create stereophonic records from the 1920s, including Emory Cook's 1952 idea of using two tracks, and a system using vertical modulation (harking back to Edison's 1877 experiments) for one channel and (then-universal) horizontal for the other, until the modern system ultimately released by Audio Fidelity Records in November 1957. This format uses two modulation angles, equal and opposite 45 degrees from vertical (and so perpendicular to each other), that can also be thought of as using traditional horizontal modulation for the sum of Left plus Right channels (mono), making it essentially compatible with simple mono recordings, and vertical-plane modulation for the difference of the two channels.
The following are some significant advances in the format.
- stereo sound became commercially available in late 1957/early 1958
- helium-cooled cutting heads that could withstand higher levels of high frequencies (Neumann SX68)— (Previously, the cutting engineer had to reduce the HF content of the signal sent to the record cutting head, otherwise the delicate coils could burn out.)
- Elliptical Stylus (marketed by several manufacturers at the end of the 1960s)
- cartridges that operate at lower tracking forces (~200 mN), beginning from mid-1960s
- half- and one-third-speed record cutting, which extend the usable bandwidth of the record
- Matrixed quadraphonic records (SQ, QS, EV-4, UHJ)
- "discrete" quadraphonic CD4 records, which enabled frequencies of up to 50 kHz to be recorded and played back
- longer-lasting, antistatic record compounds (e.g.: RCA Dynaflex, Q-540)
- better stylus tip shapes (Shibata, Van den Hul, MicroLine, etc.)
- Direct Metal Mastering
- noise-reduction (CX encoding, DBX encoding), starting from 1973
- In the late 1970s, engineers Gerry Block and Burgess Macneal devised a preview system of mastering vinyl which allowed about 10-20% more music per disc while not sacrificing dynamic range. The preview tape head was positioned far enough before the program tape head to allow the disk computer enough time to measure the peaks in low frequency and thereby expand the feed appropriately for the greater excursions of groove modulation they produce. The ne-plus-ultra Compudisk system was unveiled at the 1980 AES Convention, alongside the Zuma Disk Computer (made by John W. Bittner) and the Neumann VMS-80 lathe, which had its own advanced Disk Computer, on board.
- In the 1970s, quadraphonic sound (four-channel) records became available, both "discrete" and "matrix". These did not achieve the popularity of stereo records, partly because of scarcity of consumer playback equipment, competing and incompatible quad record standards (most of which were compatible with two-channel stereo equipment) and partly because of the Analog Quadraphonic Formats lack of quality in quad-remix releases. Quad never escaped the reputation of being a "gimmick", and the various (mutually incompatible) discrete 4-channel sound required an ultrasonic carrier signal that was technically difficult to capture and suffered degradation with playing.[22] Three-way and quadraphonic recordings, which were favored and championed by artists like Leopold Stokowski and Glenn Gould,[23]are now making a modest comeback, with older masters being turned into multi-channel Super Audio CDs. (However, a fair number of new surround recordings—primarily classical—are being made for SACD and Blu-ray Audio.)
The composition of vinyl used to press records (, a blend of polyvinyl chloride and polyvinyl acetate,) has varied considerably over the years. Virgin vinyl is preferred, but during the 1970s energy crisis, it became commonplace to use recycled vinyl. Sound quality suffered, with increased ticks, pops and other surface noises.[citation needed] Other experiments included reducing the thickness of LPs, leading to warping and increased susceptibility to damage. Using a biscuit of 130 grams of vinyl had been the standard, but some labels experimented with as little as 90 grams per LP.[citation needed]Today, high fidelity pressings follow the Japanese standard of 160, 180 or 200 grams.[citation needed]
Besides the standard black vinyl, specialty records are also pressed on different colors of PVC/A or special "picture discs" with a card picture sandwiched between two clear sides. Records in different novelty shapes are also produced.
Use by disc jockeys[edit]
Disc jockeys (or DJs) in clubs still rely heavily on vinyl records, as cuing tracks from cassette tapes is too slow and CDs did not allow creative playback options until quite recently. The term "DJ", which had always meant a person who played various pieces of music on the radio (originally 78s, then 45s, then tape cartridges and reels; now cuts from CDs or tracks on a computer) – a play on the horse-racing term "jockey" – has also come to encompass all kinds of skills in "scratching" (record playback manipulation) and mixing dance music, rapping over the music or even playing musical instruments, but the original dance club (non-radio) definition was simply somebody who played records, alternating between two turntables. The skill came in subtly matching beats or instruments from one song to the next, providing a consistent dance tempo. DJs also made occasional announcements and chatted with patrons to take requests while songs were actually playing, similar to what radio disc jockeys have been doing since the 1940s.
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